Fortbildungen der Augenklinik des Universitätsspitals Zürich


hilean film-maker José Luis Torres Leiva’s brand-new crisis is a thoughtful treatment of critical illness. It gets under the epidermis and to the thoughts of two women for couple, and another of them is passing away of malignant tumors. Torres Leiva blogged the script after shedding three buddies to your sickness. His movie is actually anti-sentimental, a difficult watch, reported by users; the kind that make you feel just a little vulnerable. But it is sensitive and painful, too, and beautifully acted.

Ana (Amparo Noguera) and María (Julieta Figueroa) are located in their own 40s. The film opens using the two of them in a car. María in the passenger seat gently instructs driver Ana to shut her eyes, as well as for a tense time Ana pushes blind, frightened. Afterward, we realize that María features terminal cancer tumors. What was she doing in this moment from inside the auto? Providing Ana a-glimmer of her very own horror for the darkness?

We watch given that ladies clean up their own apartment in the urban area and go on to a cabin in forest, in which María has chosen to perish. Not much is alleged; the dialogue could possibly suit onto 12 or more typed pages. Torres Leiva is far more interested in the emotional climate, the way the two ladies gaze at every additional, or a hand sleeping on a shoulder. From inside the tub, María seems to lose the woman temperament with Ana for treating her like children, and rages at the woman illness.

Two large digressions in the centre spoil the movie slightly. One dramatises a strange fairytale María says to about a naked feral woman living alone from inside the forest; additional is a family tale about the girl uncle. Both felt quite generically arthouse, somewhat uncomfortable tests. Overall, it’s a tough view but in its way lightly comforting. As it can be in daily life, viewing individuals living with passing is actually oddly soothing – it will make it feel workable for some reason.

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